Horse Hair Yarn - Spinning Rudolf

Sorraia stud colts at play on unseasonably mild December day
Ravenseyrie - Manitoulin Island
Ontario - Canada

Last November, I wrote a detailed account in the Journal of Ravenseyrie about learning to crochet and how this stimulated a desire within me to also learn to spin my own yarn so that I could make things with the shed winter coats of our "wild" Sorraia horses.  

Set up to blend Sorraia horse hair and sheep wool
approximately a 50/50 blend

Silvestre, soaking up the February sun at Ravenseyrie,
soon he will be shedding his warm, winter coat and I will spin
more yarn from him and his mates!

I titled that entry Spinning Sorraia!...double click on the title and the magic of the internet will take you to that particular creative odyssey.  

In this month's journal entry, I would like to share with you what I was inspired to create with the horse hair my friend Annemiek sent me from the Netherlands.  

Rudolf, a dark bay Thoroughbred and good friend of my friend,  Annemiek Stuart
photo credit:  Jacolien Frens

Annemiek's horse, Rudolf, and the Furminator brush she used to collect his shed winter hair

Annemiek sent a nicely prepared bagful of Rudolf's dark bay hair, scented with earthy essential oils.  For a horse-loving-gal such as me, the mingling of Miek's essential oil scents with the natural odeur de cheval had me intoxicated with the desire to card and spin a sample of Rudolf straightaway.   

Annemiek's bag filled with horse hair from Rudolf
alongside my first hand-carded rolag
75% horse hair/25% sheep wool

My first spin of Rudolf's hair I did on a homemade spindle

I asked Miek if she wanted me to spin yarn and send her the finished skeins for her to use, or would she like me to crochet something special?  Annemiek opted to have me make something for her.

During the period of several weeks that I was carding and spinning Rudolf's hair, I was all the while thinking about what I might crochet for Miek.  I was surprised that Rudolf's hair was a bit more prickly than the hair of our "wild" Sorraia horses - I would have expected it to be softer than the grullo hair.  I decided to try blending Rudolf's hair a bit differently and went with 60% horse hair to 40% sheep wool and that helped make the yarn spin more even, but I felt it was still to prickly for making a garment like a hat or a neck warmer.  Perhaps a vest might be nice?  Hmmm...

...reaching into the tote bag Miek had sent Rudolf's shed winter hair in gave me the idea that the yarn made with Rudolf's hair would perhaps make a very unique and useful fashion bag.

Being still fairly new to crocheting (since October 2014), I had never before made a tote bag and began to research images and patterns until I felt I could cobble together something of my own design.  It soon became obvious that there was not a sufficient amount of Rudolf's hair to make enough yarn for the size of bag I had designed, so I decided it would be a great time to use yarn that I had made from thistledown gathered off the Ravenseyrie landscape.

Bull Thistle (Cirsium vulgare) at Ravenseyrie

I don't have my own photo handy of the cottony down the Bull Thistle yields up when it turns to seed, but you can view a nice image of that at Andy's Northern Ontario Wildflower website.

Handspun yarn made with Thistle Down

50% sheep wool/50% thistle down

I was a very bad girl and did not back up photos taken on my iPad of what carded thistledown looks like and those images have vanished.  (I promise to document more thoroughly how I make yarn from thistledown this autumn!)  Even more appalling - I did not keep track of how I made the tote bag, i.e. what size hook, what combination of stitches, how many, etc.  Definitely Miek's fashion tote is a one of a kind as I doubt I could reproduce it even if I did have more of Rudolf's hair to make yarn from.

Fashion tote bag made from horse hair and
thistledown yarn

I was very happy with how the tote bag turned out.  It was a great educative experience for me to learn to increase and decrease stitches in particular places so that I could get a rather flat, rectangular bottom.  I was very pleased with the addition of the thistledown yarn, as it had lots of rustic nubbiness and subtle brown flecks from bits of chaff from the dried plant matter that complemented nicely with the dark bay colour of Rudolf's shed winter hair.  I used sturdy jute to make the handles.

I decided that this tote bag would be more finished and useful if I made a liner for it - another new aspect of learning for a gal like me who can hardly sew a button back on correctly.  Thankfully, Lynda Noe, an expert quilter/fibre artist has her studio on the lower level of the building where my Ravenseyrie Studio & Art Gallery is located.  Back in 2010, Lynda and I had a joint exhibition at the Gore Bay Museum's art gallery.  You can read about that show by clicking HERE. With Lynda's input, I was able to make a nice liner for the tote bag that would keep things from poking through the spaces between the crocheted stitches.

Horse hair fashion tote, with liner sewed in

Yes, indeed...I felt this was a very nice fashion tote and perhaps the only one made from horsehair yarn!  I packed it up and sent it off to the Netherlands in early November, anxious to see if Miek liked what I made for her with Rudolf's hair.

When Annemiek received her package from Canada, she wrote me that she thought making a tote bag with Rudolf yarn was a great idea and sent me a photo of it as soon as she unwrapped it:

Horsehair fashion tote, safely makes it to its destination in Holland

Later, Miek sent me photos of when she showed Rudolf the tote bag.  She said she thought he liked it but he seemed more curious about the way it smelled than how it looked.  (I wash my finished yarn and completed crochet items in water containing lavender oil to deter bugs from making a meal of the fibres.)

Annemiek Stuart with Rudolf, who is checking
out a fashion tote made from his shed winter hair

Annemiek gives Rudolf a kiss of thanks for his contribution
to her wardrobe 

I had a great time spinning horse hair again and crocheting it into a tote bag along with homespun thistledown yarn and really appreciated getting a feeling for the differences between Rudolf's hair and the hair of our Sorraias.  All the Sorraia yarn that I made from last winter's shed winter coats I am saving and hoping to add more to it this spring when all those lovely wild equines shed once again.  I have an idea for a dressy poncho I'd like to make from those varied shades of grey.

Horsehair yarn from grulla coloured Sorraias
naturally shed winter undercoats

Thank you Annemiek for gathering and sending me Rudolf's hair, and also sending photos to help me document the process here in the Journal of Ravenseyrie.  I hope you get many years of good use out of your Rudolf fashion tote!  And for those of you who wonder what to do with all that hair that comes off your horses in the spring...you might consider taking up spinning!  This author thinks horse hair makes wonderfully attractive and useful yarn!

  

Spinning Sorraia!

Young Sorraia stallions in the June rain
Ravenseyrie Sorraia Mustang Preserve
2015

Perhaps the title of this journal entry conjures up an image of a mounted Sorraia stallion performing a  Doma Vaquero spin?  It is unlikely that readers would be thinking this author used such a snappy title because she wishes to share with you her exploration of learning how to make yarn from the shed winter undercoats of the "wild" Sorraia horses of Ravenseyrie, but it is so!

While I have been making a living off the arts since I was twenty-four, it wasn't until thirty years later that I showed any interest in the fibre arts.  Both my mother and sister are competent seamstresses and crocheters (in fact my mother hand makes much of the clothing I wear) but I never had an interest in taking up those skills myself.

Me and my mom at our annual autumn reunion with my sister in Mackinaw City, Michigan
Poncho and skirt, made by MOM!

In the autumn of 2014, during a little family reunion, I asked my mother if she would teach me how to crochet...

It was very hard - she being a right-handed adept, and me being a left-handed complete foreigner to this useful art - but I was very determined to learn and she was most patient with my remarkable clumsiness of mind and body.  

Learning something new...first rows of crochet had this author very excited and inspired!

When the two days were over, I had gained control over the first rudimentary stitches and felt like I had achieved the most amazing feat!  

Back home on Manitoulin Island, I found an exciting world of crochet tutorials on YouTube, some of which were filmed for south-paw folks like me. I immersed myself in this new world of learning with as much excitement and anticipation as one feels when falling in love.  In fact I did fall in love, with crochet and with fibre itself.

Young Sorraia stallion, Fidalgo., in full winter coat

Falling in love with fibre had me thinking how splendid it would be to be able to collect the shed winter undercoats of our Sorraia horses and turn them into yarn.  I sure didn't know how to do this, or even if it could be done...

Sorraia body hair in a Canadian winter, medium-grulla shade

The light-grulla winter hair coat worn by Zorita (Sovina x Sulphur's Tia) 

This past winter, there was a knitting class being held on the lower level of the Gore Bay Harbour Centre (the building I lease second floor space in for my Ravensyerie Studio & Art Gallery).  Those nice ladies had invited me down to crochet while they were knitting and during one of these sit-ins, I shared my desire to experiment with making horse hair into yarn.  It was my good fortune that the instructor of this class (Deb Colville) was once a sheep farmer and said she would be happy to teach me how to spin yarn.  While Deb, herself, had never attempted to spin horse hair - nor did she know anyone who had attempted it, she believed it could be done if blended with a longer fibre, like sheep's wool.

Debby Colville (centre) my spinning teacher, in the middle of her kitting class

in the Gore Bay Harbour Centre, winter of 2014-15

And so it came to be that Deb attempted to teach me to spin on a her Louet castle style wheel.  It was recalcitrant and unwilling (too long in storage unused, she thought) and when one of the plastic parts broke and flew across the room I was mortified and believed I might be better off not learning to spin after all.  But Deb was not so easily deterred...she ordered a replacement part and dropped off a "bartered wheel" she also had in storage, this one a broken and "repaired" Nilus Leclerc saxony style wheel which she had never used before.  Deb told me to get it cleaned up and get back to learning the feeling of drafting and treadling.

  

The 22" E-351 spinning wheel, circa mid 1970's
 made in Quebec, Canada by the Nilus Leclerc company

I had some tremendous difficulties with this Leclerc wheel (Deb called it "The Wheel From Hell") and it soon became apparent despite someone's repair efforts, something remained wonky.  While I continued to tinker with it, hoping to discover the secrets to getting it to spin true, I asked Deb if maybe I should try learning to spin on a hand spindle.  "Those things should be banned!" said my feisty teacher.  Turns out that when Deb was learning to spin, she took more readily to the wheel than to a hand spindle and recounts dreadful tales of being made to stand on a ladder while trying to spin fleece into yarn on a drop spindle.  Left to my own devices, I immersed myself in the study of spinning yarn on spindles, consulting books and YouTube videos.   I made myself several crude drop spindles and learned the "park and draft" technique which finally helped things "click" in my body and mind allowing me to gain feeling for what it takes to create yarn.

Buddy, a mixed breed fibre sheep (with an endearing face!)
Manitoulin Island, Ontario - Canada

  

As winter progressed, my good teacher would bring me raw fleece from her last remaining sheep (Buddy) and I practiced and practiced and practiced.   Sometimes Deb and those nice ladies from the knitting group would present me with "mystery fibres", and I would spin them, too.  I have experimented with naturally shed fibres from rabbits, dogs, cats, alpacas even Whitetail Deer hair!  I dutifully (and joyfully) spun on both the hand spindle and the Leclerc wheel - which I named "Madame" and found the secret to her lovely French moods - and I crocheted a "sampler" poncho with my "beginners yarn", all the while waiting for winter's end to prompt the shedding of our "wild" horses' undercoats.

   

"Beginner's yarn" rustic poncho
Ravenseyrie Sorraia Mustang Preserve

Interessado, excellently outfitted for our long, frigid winters...
what type of black-grulla yarn might his undercoat make?

While last winter's snow was flying, intrepid shoppers would occasionally come to my Ravensyerie gallery and I earned enough money to order myself a set of hand carders (from Wingham Wool Works) for preparing the fibres.  How much better these work than my single 4" dog brush!  I also ordered some prepared fibre (roving) and a hand spindle from Alice Bernardo at Saber Fazer after being deeply moved by the way the Portuguese spin wool from their sheep.  (Dona Benta, in particular is like a goddess to me the way she spins off a distaff, so much like a classical musician playing an instrument!)  I spent the long winter evenings near the wood stove practicing spinning and crocheting and dreaming of springtime and gobs of shed hair from the Sorraias... 

Finally came spring and the shedding season!

Finally, the air softened and the snow melted and the sun's angle warmed Manitoulin Island, and the horses began to yield up their no-longer-needed winter undercoats.  I was ready with my brushes!  Thank goodness we are friends with these "wild" horses and they enjoy being brushed and itched, because while they are "tame" they are not "trained" in the traditional sense where one puts on a halter and holds them for grooming sessions.  They come to me of their own choosing and are free to leave whenever they feel they need to.  Most times the trouble is not that they don't want to be brushed, but that too many of them want to be brushed all at the same time - your author only has so many hands!

   

Bella enjoys my brushing out her old winter hair,
and I am thankful for the long-awaited equine fibre to spin!

Light and dark shades of grulla Sorraia hair

Thanks to Carol Kroll's fantastic book, The Whole Craft of Spinning / From the Raw Material to the Finished Yarn, I had my first "official" instructions on how to set about spinning the shed winter hair of horses into yarn.  Carol validated what Deb had been thinking - that the horse hair would spin better if blended with a longer fibre, like sheep wool.  

One single Sorraia hair, from winter undercoat

Sorraia hair, shed winter undercoat, about an inch in length

First I carded up a little bit of sheep wool from Buddy's washed fleece.  Then I placed scant palmfuls of Sorraia horse hair over one of the cards and spread them evenly.  And then I carded the fibres together.

Set up to blend horse hair and sheep wool
approximately a 50/50 blend

Blending with hand carders

The resulting "batt"

Rolling the batt into a cylinder shape called a "rolag"

With my first rolag ready, I began to spin my first Sorraia yarn on my homemade drop spindle.  It worked!

Lynne Gerard spinning yarn from horse hair on the Ravenseyire Sorraia Mustang Preserve

Carol Kroll's book also suggested adding an oil/water emulsion to facilitate a better blend and spinning experience.  I did this and it did help keep the horse hair from flying all over the place.  However, after reading in Alice Bernardo's Saber Fazer blog, I decided to "spin in the grease" like Dona Benta does.  Why wash out all that natural lanolin and then find yourself having to use an oil/water emulsion to put some cohesion back into the fibres?  So I decided to blend and spin the "dirty" fibres and then wash the finished yarn.  This worked much better!

Blending light grulla Sorraia hair with sheep wool
on hand carders

Such a lovely rolag results!

I wanted to see if I could spin horse hair on the Portuguese spindle as well, so gave that a try next.  This was not quite as easy for me as with the drop spindle, but with perseverance, it, too, worked.  How satisfying it was to spin Iberian horse hair into yarn using an Iberian hand spindle!

Spinning Sorraia hair on a Portuguese spindle

Rolag nests of Sorraia and Sheep wool and the Portuguese spindle from
Saber Fazer

Single ply Sorraia yarn washed and drying

Finished Sorraia yarn, ready to use!

Sorraia horse hair yarn, so earthy and lovely!

Testing Sorraia yarn with simple single crochet

I decided to crochet a sampler pillow using some of the Sorraia yarn as well as yarn that I had made from other fibres.  From the top down:  

--the chestnut colour is from our domestic Thoroughbred horse, Zeus
--the black colour is from a Newfoundland dog
--the heather grey is from our medium shade grulla Sorraia horses
--the white is from a White German Shepherd 

Crocheted pillow made with samples of hand spun dog and horse yarns

The back of my sampler pillow, mostly medium and light grulla Sorraia yarn

I began writing this journal entry in late spring of 2015 and am only now finishing it.  It is lengthy and likely has more photos than it really needs (like most of my journal entries!)  It is my weakness always wanting to share the beauty of life with the Sorraia horses here on Manitoulin Island.  But it is  more than this...I also wish the Journal of Ravenseyrie to be a repository of useful information, whether that be for others who might be interested in Sorraia horses, or allowing horses to live as nature intended in wilderness habitats, or even making yarn from horse hair!

Fidalgo

Now that we are in late autumn and another winter will soon be upon us, my mind is already thinking about next spring when the Sorraias will shed their hair again and I can do a more refined job of gathering, carding and spinning this special equine fibre and crocheting lovely items from the finished yarn.  In the meantime, I had better also complete some of the projects I have started from the yarn I made from them this year!  This topic will surely be one to revisit in the future.

Gosto and Legado!